Amhakara:

Started by John Zorn (saxophone) of many, many things, most notably Naked City, Mick Harris (drums) of Scorn, Napalm Death, and Bill Laswell (electric bass) of Praxis, Material, Tabla Beat Science, in 1991, PainKiller is an extreme mix of free jazz, hardcore, dub, and noise.

Batrachophrenoboocosmomachia:

Tortured Souls:

Their style can be described as a mix of avant-garde jazz and grindcore; later albums also incorporated elements of ambient and dub.  The band has also had several musicians make guest appearances both live and in the studio, including Yamatsuka Eye, Buckethead, Mike Patton, Makigami Koichi, Justin Broadrick and G. C. Green of Godflesh, and Keiji Haino of Fushitsusha.

John Zorn established in 1995 the record label called Tzadik Records, wich is a not-for-profit, cooperative record label with a variety of artists with diverse musical backgrounds, including, but not limited to free improvisation, jazz, noise, klezmer, rock  and experimental composition.

Links: Mick Harris page, Wikipedia, MySpace, LastFM,

Part II

Part III

From the album The Resistance

Chaos Royale sounds like “a truck carrying a dancehall soundsystem crashing into a death metal gig, in a nitroglycerine factory”. Luke Chaos, UK born and Tokyo based music producer, remixer and vocalist, combine Hardcore Hip-Hop, Dubstep, Death metal, Avant-Garde classical, Reggae, Noise and all kinds of heavy sounds into a new style of music.

Anna SuperNova:

Haters (Floor Destroyer mix):

Alice Underwater:

Intra:

Links: MySpace, LastFM, Twitter, Official page.

Pripyat:

About [dK]:

“Once [dK] were [captain], [dixan] and [K], they wrote songs, played them and all the rest. They played a few gigs, recorded several tracks and got high on any possible drug.

Then the economic trend and cosmic dynamics changed things.

We can say that from 2007 on, [dK] will not be a band as we commonly intend it, but a wide open project. More musicians will take part to future releases and live acts. The trade mark will stay there, branching with fire the pale and spotty butt of this world of jerks. “

Links: MySpace, LastFM, Official page.

Is still refreshing!

Check also the other songs from this post!

Classical:

Panic:

Jump:

Swine Flu:

The Tale of The Exploding Fist:
http://www.youtube.com/watch?v=tm2_fBZuZrI

Put Ya Dirt Inside:

President of Europe:

Moth:

Otako:

PCP:

Cobra:

Shallow:

M Dot Mosley:

In the death car:

Texaco:

Links: MySpace, LastFM, Facebook.

Knee Deep In The Beats:

Junkies Bad Trip:

The London Funk Allstars were Jason Tunbridge aka Mad Doctor X, Stefan Turner and Francis J Carter.

Old Skool Reunion:

Funky Sweater:

U.J.:

Flesh Eating Disco Zombies Vs. The Bionic Hookers From Mars:

Mad Love:

Booyakka:

There’s Only One F In Funk:

According to Wikipedia:

Mad Doctor X, the undercover alter-ego of hip-hop veteran DJ Jason Tunbridge (aka Xavier Jones, Funk Wizard Jay Rock, DJ Jason, Monty Props) has been busy working in the lab conducting his illicit experiments and concocting his ill beats in various disguises ever since: London Funk Allstars and DJ Toolz on Ninja Tune, Clusterfunk on Cooltempo, and most recently as Mad Doctor X on Freskanova. He may also be familiar as the man providing all the scratches on The Freestylers’ recent records.

London Funk Allstars is the fruit of a collaboration between a bunch of musicians/DJ’s/Producers/Mixers already responsible for various projects including Clusterfunk and DJ Toolz and all those releases on Blaaps!. The link between all these is Jason, who was (is) part of all these projects.

For the London Funk Allstars projects, Jason teamed up with long time friends and musicians (keyboard, bass, flute…) and the debut EP Can You Understand arrived in March 1995. This was closely followed by the release of London Funk Allstars Vol. One, packed with samples, breaks, jazzy cuts, laid back hip-hop and even a hint of acid.

At the time Ninja Tune were catching vapours from a pretentious competitor label called Mo’ Wax. Pete played the groundbreaking DJ Krush album Strictly Turntablized to the Doc and felt the London Funk Allstars could sell to a new market of instrumental album buyers of the now vilified Trip hop market.

The album was very well received by DJ’s, punters and press. ..Genius..!! was used by music loving DJ and journalist Willbur Wilberforce in his review of London Funk Vol I for Touch magazine.
“Armed with samples from Gang Starr, Barry White, The Six Million Dollar Man and the video game Street Fighter, the London Funk Allstars add quite a bit of jazzy spice to their funky breaks and hip-hop influenced beats.” (Jessy Terry) London Funk Allstars want to give a big slap to the hip hop genre, giving the London version of the thing. Indeed, London Funk Volume 1 is a small wonder that inspired hip hop turns in all directions.

“I really wanted to have some rap tracks in amongst the instrumentals. I thought that people who bought Ninja Tune releases, that were basically hip hop backings, would want to hear the tracks laced with raps. I wanted to bring in emcees and singers to give my tracks wider appeal.” The Doc was told Ninja Tune was not a rap label. Ironic when you look at its output today.

The second album Flesh Eating Disco Zombies Vs. The Bionic Hookers From Mars, is more musician based than the first album, and includes, William George on vocals, John Miles on flute, Alan Simpson on guitar, Stefan on keyboards and Sir Hugo Havern on brass. It is warm and funky and has a sound resolutely melodic and live orientated.

The 2nd and the last London Funk Allstars album was released on Ninja Tune and the overspill of tracks was released simultaneously on Blapps!’ through Ninja Tunes distribution and was the 1st Mad Doctor X album Mad Doctor X’s Hip Hop Experiments Escape From The Lab And Go On The Rampage Volume 1.

Links: MySpace, LastFM, Wikipedia.

Scott Joplin was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb.

When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs “cranked out by the tune-smiths of Tin Pan Alley.” As a composer Joplin refined ragtime, elevating it above the low and unrefined form played by the “wandering honky tonk pianists… playing mere dance music” of popular imagination. This new art form, the Classic rag, combined Afro-American folk music’s sycopation and nineteenth-century European romanticism, with its harmonic schemes and its march-like tempos.  In the words of one critic,”Ragtime was basically… an Afro-American version of the polka, or its analog, the Sousa-style march.

In the late 1880s Joplin played pre-ragtime ‘jig-piano’ in various red-light districts throughout the mid-South.

In 1893 Joplin made his way to Chicago to perform at the World’s Fair, although not as an official performer. By 1897 ragtime had become a national craze in American cities, and was described by the Dispatch News as “a veritable call of the wild, which mightily stirred the pulses of city bred people.”

Joplin moved to Sedalia, Missouri in 1894 and began working as a pianist in the Maple Leaf Club and the Black 400, social clubs for “respectable [black] gentlemen”. He gained a reputation as a well-respected piano player, and began composing songs and teaching music. One of his earliest works in 1896 was The Great Crush Collision March, a “special… early essay in ragtime”, written after a staged train crash in McLennan County, Texas, at which Joplin may have been present.

In 1899, Joplin married Belle, the sister-in-law of collaborator Scott Hayden and sold what would soon become one of his most famous pieces, Maple Leaf Rag, to John Stark & Son, a Sedalia music publisher. It was an immediate success and was ragtime’s first hit, in addition to being the first great instrumental music hit in America.

Maple Leaf Rag:

Jazz Piano:

Joplin collaborated with Scott Hayden in the composition of four rags. It was in St. Louis that Joplin produced some of his best-known works, including The Entertainer, March Majestic, and the short theatrical work The Ragtime Dance.

In 1907 Scott Joplin moved to New York City, which he believed was the best place to find a producer for a new opera. In 1907 Scott Joplin moved to New York City, which he believed was the best place to find a producer for a new opera (Treemonisha). Though it encompasses a wide range of musical styles other than ragtime, and Joplin himself never referred to it as such, it is still sometimes incorrectly referred to as a “ragtime opera”. The music of Treemonisha includes an overture and prelude, along with various recitatives, choruses, small ensemble pieces, a ballet, and a few arias.

Overture from Treemonisha:

Prelude from Treemonisha:

Joplin and his fellow ragtime composers rejuvenated American popular music, fostering an appreciation for African American music among European Americans by creating exhilarating and liberating dance tunes, changing American musical taste. “Its syncopation and rhythmic drive gave it a vitality and freshness attractive to young urban audiences indifferent to Victorian proprieties… Joplin’s ragtime expressed the intensity and energy of a modern urban America.

Links: Wikipedia, MySpace, LastFM, Official page.

Alpha Omega a.k.a Colin Lindo a.k.a Nubian Mindz has been constantly pushing the boundaries of cutting edge Drum and Bass since his groundbreaking debut release, Outer Dimensions, on the equally groundbreaking & legendary Reinforced imprint. Since then he has gone on to forge a universal respect within the scene & has firmly established his presence on the D&B industry.

More songs from Alpha Omega:

Straight Circles:

Bad Karma:

Rainshine:

Steppa Dub:

Decade 303:

MySpace, LastFM, Official page.

Shadows:

Palace of the Tigger Woman:

Lobby:

The Nothing changes:

Goya:

Patra (Saint Vitus cover):

Twisted Horizons:

The Kilimanjaro Darkjazz Ensemble (TKDE) formed in 2000 as a project to compose new music for existing silent movies. Jason Köhnen (aka Bong-Ra) and Gideon Kiers, both graduates of the Utrecht School of Arts, combined their audio and visual skills to reinterpret classic movies by F.W. Murnau (Nosferatu) and F. Langs (Metropolis).

In 2004 UK trombonist Hilary Jeffery and Swiss cellist Nina Hitz joined TKDE to record the self-titled debut album which was released on Planet Mu Records in May 2006. The ensuing tour saw Eelco Bosman and Paris based vocalist Charlotte Cegarra join, forming the Ensemble into a sextet. London based violinist Sadie Anderson joined in 2008 to supply the group with extra power on stage.

Apart from the mothership which is TKDE, there is another entity; The Mount Fuji Doomjazz Corporation is a live improv jazz/ drone/ doom side project consisting of TKDE members and a host of interchanging guest musicians.

Succubus (by the TKDE alter ego: The Mount Fuji Doomjazz Corporation)

MySpace, LastFM, Facebook, YouTube, Official page.

“…devices a.k.a. electronic vices…”

From the “Practice Avoiding Mistakes“ compilation from Tokyo Dawn Records.

Links:

LastFM: Prymer & Blaktroniks, Prymer, Blaktroniks, Krii, Tokyo Dawn Records.
MySpace: Blaktronics, Tokyo Dawn Records.
Facebook: Blaktronics, Tokyo Dawn Records.
Official page: Blaktroniks, Tokyo Dawn Records.